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    <title>Aida on Walse</title>
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      <title>Aida</title>
      <link>https://walse.cz/opera/20260326-do-aida/</link>
      <pubDate>Thu, 26 Mar 2026 00:00:00 +0000</pubDate>
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          &lt;td style=&#34;text-align: left&#34;&gt;Conductor&lt;/td&gt;
          &lt;td style=&#34;text-align: left&#34;&gt;Dominic Limburg&lt;/td&gt;
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          &lt;td style=&#34;text-align: left&#34;&gt;Un messaggero&lt;/td&gt;
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&lt;p&gt;&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20260326-do-aida/images/photo-1.jpg&#34;&gt;
&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20260326-do-aida/images/photo-2.jpg&#34;&gt;
&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20260326-do-aida/images/photo-3.jpg&#34;&gt;
&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20260326-do-aida/images/photo-4.jpg&#34;&gt;
&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20260326-do-aida/images/photo-5.jpg&#34;&gt;&lt;/p&gt;
&lt;p&gt;“Amore, sommissione, dolcezza” – the traits that Giuseppe Verdi gave his eponymous heroine, Aida, who embodies pure love, tenderness and submissiveness. And these characteristics put her firmly in the tradition of 19th-century female protagonists who were not so much fully rounded personalities as sex objects and a focus for male fantasies, women whose inevitable fate was to die of a broken heart. And Aida is no different.&lt;/p&gt;</description>
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