<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Tristan Und Isolde on Walse</title>
    <link>https://walse.cz/tags/tristan-und-isolde/</link>
    <description>Recent content in Tristan Und Isolde on Walse</description>
    <image>
      <title>Walse</title>
      <url>https://walse.cz/images/hans-hotter-wotan-walkure-1955.jpg</url>
      <link>https://walse.cz/images/hans-hotter-wotan-walkure-1955.jpg</link>
    </image>
    <generator>Hugo -- 0.163.0</generator>
    <language>cs</language>
    <lastBuildDate>Thu, 08 Apr 2004 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://walse.cz/tags/tristan-und-isolde/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Tristan und Isolde</title>
      <link>https://walse.cz/opera/20040408-operan-tristan/</link>
      <pubDate>Thu, 08 Apr 2004 00:00:00 +0000</pubDate>
      <guid>https://walse.cz/opera/20040408-operan-tristan/</guid>
      <description>&lt;table&gt;
	&lt;thead&gt;
			&lt;tr&gt;
					&lt;th style=&#34;text-align: left&#34;&gt;&lt;/th&gt;
					&lt;th style=&#34;text-align: left&#34;&gt;&lt;/th&gt;
			&lt;/tr&gt;
	&lt;/thead&gt;
	&lt;tbody&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Dirigent&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Leif Segerstam&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Text/libretto&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Richard Wagner&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Regi&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Hans-Peter Lehmann&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Ljus&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Linus Fellbom&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Scenografi och kostym&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Olaf Zombeck&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Tristan&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Thomas Sunnegårdh&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Kung Marke&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Lennart Forsén&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Isolde&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Nina Stemme&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Kurwenal&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Gunnar Lundberg d.y.&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Melot&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Magnus Kyhle&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Brangäne&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Martina Dike&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;En herde&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Ulrik Qvale&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;En styrman&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;John Erik Eleby&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;En ung sjöman&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Ulrik Qvale&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Medverkan&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Herrar ur Kungliga Operans kör&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Medverkan&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Kungliga Hovkapellet&lt;/td&gt;
			&lt;/tr&gt;
	&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20040408-operan-tristan/images/photo-1.jpg&#34;&gt;
&lt;img loading=&#34;lazy&#34; src=&#34;https://walse.cz/opera/20040408-operan-tristan/images/photo-2.jpg&#34;&gt;&lt;/p&gt;</description>
    </item>
    <item>
      <title>Tristan und Isolde</title>
      <link>https://walse.cz/opera/20020418-roh-tristan/</link>
      <pubDate>Thu, 18 Apr 2002 00:00:00 +0000</pubDate>
      <guid>https://walse.cz/opera/20020418-roh-tristan/</guid>
      <description>&lt;table&gt;
	&lt;thead&gt;
			&lt;tr&gt;
					&lt;th style=&#34;text-align: left&#34;&gt;&lt;/th&gt;
					&lt;th style=&#34;text-align: left&#34;&gt;&lt;/th&gt;
			&lt;/tr&gt;
	&lt;/thead&gt;
	&lt;tbody&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Company&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;The Royal Opera&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Venue&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Royal Opera House, Covent Garden, London&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Performance status&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Revival&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Director&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Herbert Wernicke&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Conductor&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Bernard Haitink&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Chorus Director&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Terry Edwards&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Concert Master&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Vasko Vassilev&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Sailor&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Timothy Robinson&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Isolde&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Gabriele Schnaut&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Brangäne&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Petra Lang&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Kurwenal&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Alan Titus&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Tristan&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Jon Fredric West&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Melot&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Christopher Booth-Jones&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;King Marke&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Peter Rose&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;A Shepherd&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Peter Auty&lt;/td&gt;
			&lt;/tr&gt;
			&lt;tr&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;A Steersman&lt;/td&gt;
					&lt;td style=&#34;text-align: left&#34;&gt;Graeme Broadbent&lt;/td&gt;
			&lt;/tr&gt;
	&lt;/tbody&gt;
&lt;/table&gt;
&lt;h3 id=&#34;tristan-and-isolde-as-caged-hamsters&#34;&gt;Tristan and Isolde as caged hamsters&lt;/h3&gt;
&lt;p&gt;There&amp;rsquo;s something about Herbert Wernicke&amp;rsquo;s staging of Tristan und Isolde, the first of the Royal Opera&amp;rsquo;s new productions this season, that reminds me irresistibly of hamsters. Breeding the rodents is a tricky business; they don&amp;rsquo;t get on very well, and getting a pair to mate has to be approached carefully, bringing them together just for a few minutes to do the business and then separating them before they can kill each other. Wernicke treats these most famous of operatic lovers like that too: his set (he&amp;rsquo;s done everything, including the lighting) consists of two colour-coded boxes - blue for the boy, blood red for the girl - and Tristan and Isolde are never allowed to leave these domains, as if close contact would cause them to tear each other limb from limb. Even in the second act the hamsters - sorry, the lovers - never approach within 10 yards of each other, never exchange glances; their boxes move suggestively together and the lighting becomes more elaborate as they get worked up, but that&amp;rsquo;s about it.&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
